Musica Poëtica Organica

- the small organ as a way of touching the emotions

audio CD - MHCD 107

Mediaeval dance: anon, Anello 313 kb 67 kb	Mediaeval song: anon, Ave Regina 312 kb 67 kb
Early Renaissance: Conrad Paumann: Enavois 318 kb 68 kb	High Renaissance: Antonio Gardano: dances 337 kb 72 kb
17th C. stile antico: Adriano Banchieri, Sonata 318 kb 68 kb	17th C. stile moderno Giacomo Carissimi, Salve puerile 318 kb 68 kb
Mid-Baroque Matthew Locke, prelude 390 kb 83 kb	Mid-Baroque Daniel Speer, dances 397 kb 84 kb
Stil Galant Sgr. Fraentzel, Adagio long version short version 1 mb 230 kb 316 kb 67 kb

David Kettlewell plays love-songs and other music to touch the emotions on the choir-organ in Gudmundrå Church, northern Sweden

Recording - Kjell Persson

Musica Poëtica - the renaissance musician's approach to creating music in specific ways to move the emotions in specific ways;
Organica - when this is expressed on the organ

1440 - anon Bologna, Ave regina cœlorum
1470 - anon Piacenza, Anello
1475 - Conrad Paumann, En avois
1500 - Adrian Willaert, Fantasia
1551 - Antonio Gardano, Pavana - Pass'e mezo - Gagliarda
1553 - anon Madrid/Napoli/Venezia, villancico, Dad me albricias
1553 - anon Madrid/Napoli/Venezia, villancico, Vos virgen
1590 - Giovanni Maria Nanini, canzonetta, Quando el cigno sonore
1600 - Giovanni Caccini, aria, Dovro dunque morire
1600 - John Dowland, Preludium - Galliard - Pavan - Almain - Jigg
1610 - Adriano Banchieri, Sonata all'intrada
1610 - William Byrd, A voluntarie
1620 - Biagio Marini,
1630 - Lodovico Grandi, aria, O quam tu pulcra es
1640 - Giacomo Carissimi, aria, Salve puerile
1650 - Mauritio Cazzati, Aria-Corrente
1670 - anon, Wexio, Cassandra-suite
1670 - Matthew Locke, Prelude
1690 - Daniel Speer, Ordnung C-dur: Aria-Menuet-Saraband
1770 - Signr. Fraentzel, Adagio

NB - a few of the tracks are the same as on the sampler CD Music for an Historic Church